gavin russom first appeared at ntrop recordings with a remix work to felizol & the boys vinyl release, ntrop018. having compose & produce stunning releases for the notorious dfa label, gavin kicks of his knigh skyy moniker to ntrop, with a magnificent sci-fi acid marathon. on the flip side joalz recomposing >das kanst..< to an ebm rock song.

after the successful >everything changed< ep released in 2011, rills aka massimo pisani returns to 8bit with his next 4 tracker ep. alongside the endless boulevards and among the industrial turins countless blocks, in the heart of mirafiori, two steps away from the factory of the italian motor city, rills grows up with metal beats and, in a town in a non stopping musical turmoil, falls in love with the electronic melody we all know him from his great work with the >everybody ep< on the romanian label all inn records . rills is resident dj at club gamma and doctor sax : the most loved breakfast of turins electronic mornings

second ep by jordan peak on robsoul recordings…

meet bwana. his tunes started racking up plays and conversations commenced with new music buddies xi, submerse and djd. a variety of different 130bpm sounds were toyed with from dubstep, garage, 2 step, 808 dubstep and his very own mashes of r&b-lead garage-step. it all seemed to work. a bunch of labels got in touch and tracks were signed to mad decent and montreal based infinite machine.

typically commissioned to extend the life of a hot-selling single, culprit bucks the trend by delivering a remix package of gavin herlihy’s ‘endless feeling’ immediately after the ep release – a testament to the label’s faith in gavins work and the richness of its sound.

drumma launches its first release on vinyl! the chilean label has already gained great support from artists such as luciano, mathias kaden, radio slave, alex kid, alex picone, davide squillace, martin eyerer, luca saporito (audiofly) and many more. this spectacular ep comes with collaborations by mathias kaden, cesar merveille, pablo cahn and felipe venegas. each track is very unique and specially crafted for specific moments on the dancefloor. the builders is a beautiful organic composition that explores melody and percussion across an emotional trip. in >verano chile 2011< a driving deep vibe is accompanied by great synths and intense rythmic work. this track will make people groove. the final track >huitoto< is a great option when you want to make the dancefloor bump: the vocal and beat return from the break in a very epic moment. whether you want to explode with huitoto, groove with verano, chile, or make the crowd fly with >the builders< this ep is very complete and will never let you down.

emerging elements is adepths new ep of diverse, quality electronic music produced by talented dutch artists. its adepth audios seventh release and showcases the work of four of these artists and producers. mila by dan9er is reminiscent of classic chicago house, with its striking, angular bassline. the track is an homage to mila. dan grains in a beautiful world is a track from another dimension—expansive and melodic, incorporating sounds which suggest detroit-inspired music from mid-90s amsterdam. the luxuriant sound of true indentity is relaxing techno for the after hours, again proving rob belleville is one of the most detroit-inspired talents of the netherlands. détaché is a young producer determined to record fresh sounds influenced by detroit, deep house and modern techno. shapes & shadows is his most recent work, and features great bass variations and warm, relaxing synthesiser chords.

we are proud to release the first ep from the new fluxion album on echocord. this work is about his travels in music. the sounds, influences and aesthetic of his actual travels, expectation-journey-destination, alongside the music influences deriving from them. through his prism those sounds, pictures, travels, emotions left traces of new directions, of future journeys to take. fluxion captured the motion in his travels with a different feeling each time. on no man is an island with the unreleased dennis brown vocal version ,an influential song, with a clear message. desert nights a kind of desert rock meeting dub on a road movie. butiama an actual place, where variations and consistency in rhythm is within people s dna. this ep also includes a flowing rmx by our good friend thomas fehlmann. after a decade in the field of dub, techno, ambient, fluxion opens the horizon with music that cannot fall under one specific territory.

after i heard enol s beautiful track white mango on initial cut, i felt the need to reach out. i had a long and friendly conversation with matthieu (enola) about our musical background and agreed on the fact that we both have a weakness for pop music and early detroit techno, and quickly came to the conclusion that something with a little pop would be perfect for the label. enola came to us with >slow motion< featuring the vocals of will caulfield. its something different for enola, and something different for us, deep techno pop, perfect for 5am! enola is the new project of french dj matthieu monnin, who used to be part of the techno outfit noirdegout. matthieu now works on his own, finding his niche in melodious techno, taking inspiration from the sounds of the nineties. he has done work with the likes of rodriguez jr, anoraak, and arno gonzalez, and now he joins correspondant with >slow motion<. on the flip side, nhar, the other half of correspondant turns the darkness into light with for me, his best remix to date. if the original is for 5am, nhars remix is for 5pm, when the sun still shines and its warmth still remains.

with davidchristoph we have a fresh, fulminant dj battle, which stands for extravagant work behind the decks! feasting up to the point of ecstasy, dancing in great profusion and music that forces you to move your body, are just 3 maxims they act on. for patterns the boys show their diversity in styles, resulting in a more subttle techno style than you might know patterns for, but for sure this is an effective piece of vinyl! perfect dancefloor material.

we start this year 2012 introducing a new release but at the same time a new talented artist from spain. here is the sound of xformxs. his debut ep called po-334 is a new refreshing work to be proud of. you ll find a fine electro and techno combination with some detroitish flavor in this first 12inch limited to 200 copies

having already appeared on r&s with a remix of model 500 and a track on the iotdxi compilation named >ralph< which showcased his singing voice for the first time, this two track single seems like the natural stepping stone from bullions previous work. replacing what would previously have been samples with his own vocals and instruments played by both himself and some friends, >say arr ee< and >what does she know< continue to show bullion as a music lover of many styles who can identify and combine those elements with an air of sympathetic range and still have a sense of clarity and cohesion.

a product of his surroundings, wasserfall creates organic, electronic music using an array of tools - including a nord modular g2x, a roland tr 909, a roland sp 404 sampler & an apogee ensemble – but dont think for one minute that its all about the gear, and that he is just a technical producer. field recordings feature heavily in his work, and you can often find him patrolling the streets of oslo or berlin hunting for the perfect sound that will convey his ideas within the piece. anders is just as at home creating scores for film as he is producing rhythms for the dance floor, during his time in berlin he created a contemporary soundtrack of the old russian silent-fim classic a man with a movie camera (dziga vertov 1929) which was performed live in berlin, bremen and in bergen. after all this is said and done, the e.p boils down to just one thing - house music for the heads. nothing lightweight, just the heavy goods. long time coming on vinyl, dont miss out on the result of a year of work getting it just right, if you managed to bag the previous #gcw vinyl you know we take absolute pride in our output. a strictly limited pressing. mastered to 180g vinyl by the one & only john dent @ loud mastering.

dubious prey is the 1st release of 2012 on sticks n stones recordings and the 2nd release from the nyc-via-sierra leone dj/producer lamin fofana. lamin is an electronic musician that produces music without category out of found sounds, human voices, digital synthesisers, analogue synthesisers and drum machines. his work can be found on such labels as dutty artz, grizzly and diskotopia the vinyl version of the e.p, contains 2 original tracks and a remix of the lead single by aramac. the e.p has been review on xlr8r and currently been supported by wmfu fm (new york), wifey (déjà vu), matt shadetek, contact and a bunch of other.

more stunning beats from the man (?) like rrose... comes on black wax in printed inside and out sandwell jacket. in stark contrast to his recent work >the merchant of salt<, rrose takes us way, way deeper with this brilliant new 3 tracker. perfect warm-up / cool down material on offer here - bound to go down well after his (?) recent and very well received live set at berlins berghain.

the bowels of flapjack records are very excited and relieved to push that peruvian boy out onto some vinyl. what a relief! this new ep is so phat that we thought it might have required a trip to the hospital. there is no enema strong enough to work this hot piece out. this would require some dance floor surgery. >i cam to jam ep< is like the signature dish of peru and works like magic on the dance floor as well as your taste buds.

the time has come to welcome jacob korn from the uncanny valley in dresden to the mild pitch camp.weve been eager to work out an ep with jacob since his amazing live appearance at our labels first anniversary party in 2010 and at last,it is here!expect the funkiest ghost train ride ever,accompanied by remixes from funfair operators manuel tur & langenberg.we just love it.

after releasing with sonar kollektiv and defected, michael beim aka skwerl became a gigolo in 2009 and now releases his third 12 inch for us, the you need to dance ep, with some of his most inventive work to date.

after long years of work the author of unique and successful albums shallow and profound (2000) & splendid isolation (2005) is back with his new long-player, passive control, which is considered to be the third, closing part of the trilogy. passive control is another typical contradictory, multilayered yonderboi title that can be explained in different ways. one of them refers to the constantly changing and unpredictable economical/social situation of today, which is witnessed by most of us inertly, hoping that this recession-thing gets sorted out soon.

for its first release, detuned recordings delivers us two superb cuts by the talented producers renton and dj puk, that join their forces in this great work titled namoo ep. two tracks that create a deep and melancholic atmosphere: >er bunk er< with a fresh and hypnotic synth arpeggio over a groovy sub bassline and >namoo< that balances groove and melody together.&#8232,,,,, if you like refined techno music, you surely wont be disappointed by detuned recordings.
supported by: richie hawtin, paco osuna, jewel kid, rennie foster, franky b (aka cryptic monkey), gabriel ananda, sami wentz, sossa, israel vich.

feelharmonic proudly presents satore with his ep on tape. the young spanish producer makes his label debut with the deep disco title track on tape and the funky, percussion-driven for the road. on the remix front, the excellent madrid-based duo ordell and ernie from minuendo recordings house it up even further with a re-work each of on tape and for the road respectively.

this 4-track ep is the first official release from new jerseys mikeq, one of the unquestioned leaders of the current vogue-house scene, and follows in the wake of a slew of self-released tunes he has dropped over the past few years. let it all out is also the second record on kingdoms fade to mind imprint, which has already received mountains of praise despite its short discography. largely built upon raw, upfront drum sounds, recycled snippets of hip-hop and r&b, and, most importantly, the ever-present >ha< (itself a repurposed masters at work sample), vogue house seemingly offered the sort of sound that tastemaking and blog-reading djs would snap up with aplomb. hell, even diplo championed the ballroom scene. yet, for whatever reason, the expected vogue-house explosion hasnt really happened. while a handful of non-ballroom producers and djs (most coming from the world of bass music) have experimented with the genre, the music essentially continues to hum along in the underground.

ghetto funk presents slynk. evan chandler aka slynk had music on the mind from birth. naturally gifted with a musical ear he flirted with a range of classical instruments including piano, guitar and drum. it soon became apparent that his ear was best suited to his own style of ghetto funk inspired bootlegs and remixes.
slynks first artists ep for ghetto funk has already been getting support from some of the scenes biggest players and his track boomin even appeared on krafty kuts most recent promo mix. his work is highly sought after by djs around the world while his forward momentum knows no boundaries. expect big things from this rising star and this ep is no exception.

re funk explosion is the third gimme! gimme! release featuring amazing edits by the italian dj belabouche. his work received critical acclaim on soundcloud and this selection presents pure dancefloor disco dynamite! side a starts with >one of the best edits of jb< - to quote a soundcloud member - and is followed by the funky monster >dance and chant< by sam jam. next is belabouches version of the underground gem >the rock is gonna get you< by gordon war from 1979. the flipside continues with 2 finely executed edits of al hudson & the partners and paul lewis >girl, you need a change of mind<. last but not least an awesome edit of bebel gilbertos >aganju<. for your listening pleasure all tracks are professional remastered. enjoy the sound explosion!

as a debut 12inch release for both dj marfox and principe, >eu sei quem sou< (i know who i am) is the best title we could hope for our collective present & future intentions. it is what marfox has always made clear to us through his work - a unique vision of technological, artistic and civic advancement. everything is about having your code, knowing where you come from, about the way in which he s chosen to progress through his music.

after 7 years of staying out of the limelight, mille & mr.hirsch (playhouse, newpolish, r.a.n.d. musik and much more!) are back with new material. the new imprint owes its name to a group of berlin artists called apollo krieg who produce fashion, artworks and whacky installation art. with berlin as their base, mille & mr.hirsch hang around & see much of their work influenced by the work of this group and decided to name it after this group of artists – true to the motto: nowadays the guys from apollo krieg also produce music. side a: (apollo/alpha) golden age is the classical, heart-warming, romantic and seemingly never-ending deephouse epic which finds its place somewhere between detroit house, balearic, jazz and funk. it is always a tad larger than life and opulent in harmony and melody but, with due to its well-defined instrumentalization, it seems somehow traditional. this track has a 9-minute arc of suspence and is devoid of any drum-machine orgies and razzle-dazzle a unique piece of shit!side k: (krieg/kokain) kinky love is a bit more modern, with more track, less melody and less music. the mix of strong samples (e.s.p./kinky go) with slightly dark and deep functional track make this 8-minute track a potential floorfiller! best regards apollo krieg berlin

hot new upcoming priknitzkombinat! alle drei zusammen? eigentlich sind es 4 musikschaffende, die sich in form von 3 acts auf der neuen prignitzkombinat vereinen. allen voran kenny lane, der mit seinen tracks bereits international für aufsehen sorgte. insbesondere in frankreich ist er nach seiner veröffentlichung auf dem label fragil kein unbekannter mehr. unser french-mann kenny steuert mit >disjacked< einen groovigen pianotrack bei. das producerduo und liveesemble tswitscha & knarxx hofft mit >rise of the spring< auf den nächsten frühling. mit gefühlvollen klängen halten die beiden ausschau nach sonne und wärme, um uns über die kalte jahreszeit zu bringen. als dritter im bunde gibt es vom veteran des kombinats l60 mit >all that< einen retro angehauchten track im body work style auf unserer priko 004. wie ihr seht oder vielmehr auch hören könnt, gibt es eine facettenreiche mischung, die ein stück weit auch den musikalischen querschnitt unseres kombinats repräsentiert.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

the first mobilee release for 2012 is by an artist who through hard work, passion, and an unwavering dedication to his craft, has garnered wide international recognition from the music industry over the past ten years. sean millers debut release with the mobilee camp, was his successful cmon thats it on leena earlier in 2011, and now he brings us canibal royal to be released on mobilee records as he simultaneously joins the mobilee booking roster! his previous productions have found their way on some of the leading labels in dance music today steve lawlers harlem and viva music, audioflys supernature, nic fanciullis saved records and 2000andones area remote. for canibal royal, sean has worked with live musicians and instruments to create a genuinely vibrant south american carnival flavour. on the flip, soleil creates a calmer mood but still with a strong summer vibe. enjoy.

the brand new triphouse rotterdam label kicks off with a full ep by utrechts electronic boy wonder frits wentink. although being just 23 years of age, the dutch talent displays some highly advanced production techniques and delivers a vibrant and very modern take on house music. not sounding like anything else out there and with a real strong sense of identity this youngster clearly has a bright future ahead of him. the result of his work is an irresistible smasher that will cause some serious stir on dance floors and home systems alike.

the sixth field 12inch presents four of the most outstanding dutch artists on one ep, namely delta funktionen, rod, mark du mosch and roberto auser. the end result is an abstract trip through the deep fields of ambient, house and stripped techno.

highly recommended! marieu comes back with an amazing solo e.p. on his own label enlightened wax after the worldwide success of his first work, heavily played by the most appreciated underground djs. as usual, this record has been written, mixed and produced only on dusty machines and recorded on juicy magnetic tape. the opening track, >ancient times< is a capturnig fat deep house track with a subtle female chant and space-station pads a2, >heat eninges< is build on an heavy ground shaking bass, a wagging latin piano riff. big claps, and sharp cymbals. funky and relentless, its just an essential choice for every swingin dj. on side b,>radiant< develops on a solid bass drum a filtered house groove making a breach to a charming jazzy piano and a blues voice. a complete feeding for every hungry dancefloor b2, >spectrum<begins with a dark hypnotizing groove enlightened in the middle of the track by an uplifting motorcity pad. striking and suggestive.

limited collection that features 31 track cd compilation of ikes work from 1958 to 1960, plus 10vinyl

with the 2001 release of the fruit bats debut album, echolocation, eric d. johnson embarked on a career in music that has, to date, included ten years with the fruit bats, sideman duties for bands including califone, vetiver and the shins, and more recently, soundtrack work for films like ceremony and the soon-to-be-released paul rudd comedy our idiot brother. tripper, the new and fifth fruit bats full-length, was recorded at wacs studio in los angeles with thom monahan, best known as producer for the last four vetiver albums, devendra banharts cripple crow, and the pernice brothers.
includes code for free download of the full album.

2011 album exploring classical music fields, combined w/ tms electronic pop approach

beat a track that already is a hit? nearly impossible ? but not for noir music. they just took superfunk s lucky star and dropped it into a damn hot new edition for 2012. thanks again to solomun (diynamic, supernature) for another brilliant remix work. kolombo takes it back to the oldschool days with a deep work and a real 303 acid edit. overall a superb must-have package.

ghettomania is just the finest in retro chicago techno and dancemania dj funk action ? face down ass up !!!

assembly records have established themselves in the digital domain & now grace the vinyl shelves with the first in a series of limited edition samplers. there are only 200 copies available of this various artist compilation that features original work by manuel regnet (crossworld), sean roman (hot waves) and newcomers king & vilante. we have had lots of requests for this release, so only have a very small amount available - first come, first served!

new 12 inch from esteban adame on his own ican productions label. esteban is known from his previous work on ican, underground quality, and as a member of the underground resistance band galaxy 2 galaxy. solid productions here!

obsession is really the programmatic title of tobias olivers work of the last years. two years after his digital winter / summer release in 2009 and the human technology debut with his electro band datawelt, it is really a obsession of him, to bring out his first solo release on vinyl. if you listen to this record, you will be sure, that tobias oliver was born in a electro disco somewhere in this world. the analogy to the old school electro sound can not be ignored, when he reuses the drum and percussion sounds of well known drum machines of the past, combined with bass and synthlines, pads and strings of analog synthesizers from the past and the future - at the latest by then - you will think, that you are really out of space!

a one-off release from james and karl here showcasing chunks of their killer live set from a recent london gig. the a-side is basically a brilliantly executed and bass heavy mashup of ruskins classic track work alongside the much loved blunted rhythms of kalons man is the superior animal.in contrast the b-side is a great intro/outro beatless tool.

lux rec brings out the latest work by mathematics & hotmix artist joe drive, delivering a spaced out three track ep, from >clone replacement< dark funk mutations to the drexciyan electro of >crossing the forbidden planet<, landing eventually on >saturn 15< hitech soul! 200 only.

another hard rockin house ep with some hints of disco & 90s club music on this nice little label. after various collaborations in the past it is now time for the >collaborations ep<. instead of boring you with describing how the claps and the bass lines work together, lets just mention how the tracks happened and with who maxim collaborated on this e.p.

kowton and tom dicicco, residing in bristol and manchester respectively, make very different music from one another. kowtons seems to come from house, perhaps also electro and garage, often quite slow in tempo and hard to pin down to a specific genre. toms music is techno, bass heavy, melodic, textured and rooted around 125 bpm. with these distinctive styles the idea of a split ep might seem ambitious, but the result is four cohesive but different tracks that show the talents of both artists perfectly in the format of two originals on one side and two remixes of each others originals on the other. tom diciccos original is driven by a low-mid range thick stab and pounding kick drum, littered with intricate but not overbearing hi hat and snare work and some very atmospheric mid range. kowtons is subtle and sparse, low fidelity and plodding, with rattling percusion carrying the tune along. on the other side of the record, kowtons remix of toms original is driven by an enormous bassline, with an off kilter dubby feel to the slow tempo and genre defying tune. toms remix of kowton rounds off the ep with a return to stab driven techno, pulsating, dynamic and trance inducing.

having released the anonymous and enormous f**k yonkers bootleg earlier this year, the amsterdam based audio culture label is poised to unleash their first official release, a piece of music which is the result of the collaborative efforts of dutch wunderkind presk and amsterdams premier tastemaker cinnaman. in part, pieter presk willems support is responsible for the labels inception. in a short space of time presk has built up a solid and impressively distinct sounding catalogue of work released on respected imprints such as ramp sister label fourth wave and doc daneekas ten thousand yen. making a name for himself with nothing more than his hands and impeccable taste, yuri cinnaman boselie has become somewhat of a musical institution in amsterdam. he is the man behind the ground breaking colors nights and is responsible for the equally forward thinking beat dimensions compilations. the b-side features two expertly remixed and uniquely different takes on the original, courtesy of non other than instra:mentals jon convex and ten thousand yen head honcho doc daneeka.

following vincenzos astonishing recent album, >wherever i lay my head<, which really elevated the producers status into the stratosphere, we continue the story with three new remixes, from cult legend tom middleton, smooth-talking newcomers genius of time, and talented uk-based mic newman. tom middleton, who needs no introduction as the legendary producer behind such classic projects as the jedi knights, global communication and cosmos, hands in a modern deep techno remix that shimmers with melody and dubbed out echoes of the original version of >sometimes saturday<. leaning towards epic, with moody old-school synth builds set against contemporary punching bass tones, it certainly doesnt disappoint. swedens maverick slow-housers genius of time rework vincenzos >106 downtown< which is also a work of genius in its own right. the boys add sensitive, detailed down-tempo beats with some wonderful warm swirling vibes mic newman transforms >hello!< into a crafty fresh tech-house groover with his dub remix. floating, ethereal synths mix with bubbling acid and liquid beats in this seriously smooth and complex mix.

pleasure has put a lot of hard work into this project and its paying off. >cradle< and >slosh pit< have been getting a lot of love in clubs and on the air waves. the production is clean, crisp and the bass will blow your socks off. keep it coming killa bytes.

an energetic club jam featuring vocals by nomi ruiz (jessica 6, hercules & the love affair). red hot remixes from ian pooley, eli himself, dj sneak and cosmic kids. great feedback online for eli’s remix ( eli’s re-work ) with the other tracks unavailable until now.

ultraphat funky house remixes by you know who, delivered in full artwork sleeve!